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APRIL GORNIK
Born: April 20, 1953, Cleveland, Ohio
Lives: New York, NY

EDUCATION
1976 Nova Scotia College of Art and Design, Canada, B.F.A.

ONE PERSON EXHIBITIONS
2023  Miles McEnery Gallery, New York, NY 
2020  Miles McEnery Gallery, New York, NY 
2016  Danese/Corey Gallery, New York, NY
2015  Pace Prints, New York, NY  
2014  Danese Gallery, New York, NY
2013  Dayton Art Institute, Dayton, Ohio
2012  Barbara Edwards Contemporary, Toronto, ON, Canada
2011  Danese Gallery, New York, NY
2009  Heckscher Museum, Huntington, NY
2008  Danese Gallery, New York, NY
2006  Allen Memorial Art Museum, Oberlin, OH
2005  Art Gallery of Nova Scotia, Halifax, NS, Canada
           Sheldon Memorial Art Gallery, Lincoln, NE
           Danese Gallery, New York, NY
2004  Neuberger Museum of Art, Purchase, NY
2003  Danese Gallery, New York, NY
2002  Huntington Museum of Art, Huntington, WV
2001  Danese Gallery, New York, NY
2000  Edward Thorp Gallery, New York, NY
1999  Glenn Horowitz Booksellers, East Hampton, NY
           Harley Baldwin Gallery, Aspen, CO
1998  The University of the Arts, Philadelphia, PA
           Museum of American Art of the Pennsylvania Academy of the Fine Arts, Philadelphia, PA
1997  Turner & Runyon Gallery, Dallas, TX
1996  Edward Thorp Gallery, New York, NY
1995  Kohn-Turner Gallery, Los Angeles, California
1994  Edward Thorp Gallery, New York, NY
           Guild Hall Museum, East Hampton, NY
           Offshore Gallery, East Hampton, NY
1993  Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA
           Mary Ryan Gallery, New York, NY
1992  Edward Thorp Gallery, New York, NY
1990  Edward Thorp Gallery, New York, NY
1988  University Art Museum, California State University, Long Beach, CA
           The Sable-Castelli Gallery, Toronto, Canada.
1987  Edward Thorp Gallery, New York, NY
1986  Edward Thorp Gallery, New York, NY
1985  The Sable-Castelli Gallery, Toronto, Canada
           Galerie Springer, Berlin, West Germany
1984  Edward Thorp Gallery, New York, NY
1984  Texas Gallery, Houston, TX
1983  The New Gallery of Contemporary Art, Cleveland, OH
1983  Edward Thorp Gallery, New York, NY
1982  Edward Thorp Gallery, New York, NY
          University of Colorado Art Galleries, Boulder, CO
1981  Edward Thorp Gallery, New York, NY

SELECTED GROUP EXHIBITIONS

2024 "Couples Squared" (curated by Phyllis Tuchman), Southampton Arts Center, Southampton, NY
         "Beyond the Horizon: Interpretations of the Landscape from Women in the Permanent Collection," Parrish Art Museum, Water Mill, NY
2023 "50 Paintings," Milwaukee Art Museum, Milwaukee, WI
         “American Women Artists from the Collection of Edward T. Pollack ‘55,” The Dove Block Project, Geneva, NY
2022 “American Landscapes,” The David C. Driskell Center, University of Maryland, College Park, MD
         “COMPETERE: An Exhibition of Artist Couples,” The Bo Bartlett Center, Columbus State University, GA
         “Empire of Water,” The Church, Sag Harbor, NY
2020 “It’s All About Water” (curated by Elizabeth Fiore & Melissa Feldman), The Storefront, Bellport, NY
         “Do You Think it Needs a Cloud,” Miles McEnery Gallery, New York, NY
2019 “That 80s Show,” Nassau County Museum of Art, Roslyn Harbor, NY
         “LandEscape,” Katonah Museum of Art, Katonah, NY
2017  Tripoli Gallery, Southampton, NY. "Black & White"
          Palm Beach Photographic Center Museum, West Palm Beach, FL. "Photography of Place"
2016  Southampton Arts Center, Southampton, NY. “Water|Bodies”
2015  Portland Museum of Art, Seattle, WA. “Seeing Nature: Landscape Masterworks from the Paul G. Allen Family Collection,” traveling to:
          The Phillips Collection in Washington, DC,
          Minneapolis Institute of Arts, and the New Orleans Museum of Art
          Seattle Art Museum, tour ending May 2017
          Museo Grimani, Venice Biennale, Venice, Italy. "Frontiers Reimagined", organized by Sundaram Tagore Gallery.
2013  Salomon Contemporary, New York, NY. “The Beacon”
           RH Gallery, New York, NY. “A Discourse on Plants”
2011  Barbara Edwards Gallery, Toronto, ON, Canada. “Bon a Tirer”
           Cathedral of St John the Divine, New York, NY. “The Value of Water”
           Danese Gallery, New York, NY. "Works on Paper"'
           Barbara Edwards Gallery, Toronto, ON, Canada. “Delinear”
           Massachusetts College of Art, Boston, MA. “Joe Fig: Inside the Painter's Studio” 
           Danese Gallery, New York, NY. "In the Presence of Light"'
2010  Danese Gallery, New York, NY. "Works on Paper"'
           Charles P. Sifton Gallery, Brooklyn, NY. “Gallery Dedication Group Show”
2009  American Academy of Arts and Letters, New York, NY. "Invitational Exhibition of Visual Arts"
           The National Arts Club, New York, NY. “The Print Club of New York: Seventeen Years of Commissioned Prints”
           Parrish Art Museum, Southampton, NY. "Mixed Greens"
           Arkell Museum, Canajahorie, NY. "Then & Now: Contemporary Artists Revisit the Past"
           Danese Gallery, New York, NY. "Forces of Nature"
           James Cohan Gallery, Shanghai, China. “The Tree”
           Parrish Art Museum, Southampton, NY. "American Landscapes: Treasures from the Parrish Art Museum"
2008  Guild Hall Museum, East Hampton, NY. “Inspired by the Light: Landscapes by East End Masters”
           Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ. "From Here to the Horizon: American Landscape Prints     from Whistler to Celmins"
2007  Orlando Museum of Art, Orlando, FL. “Collector's Choice: Audacity in Art: Selected Works from Central Florida       Collections”
           Herbert F Johnson Museum of Art, Ithaca, NY. “Paper Trails: A Century of Women’s Prints, Drawings, and Photographs”
           Pace Prints, NY, NY. "Monoprints"
           Heckscher Museum of Art, Huntington, NY. "Picturing Long Island"
2006  National Museum of Gdansk, Gdansk, Poland. "New Old Masters"
           Sullivan Goss Gallery, Montecito, CA. "Tapestries"
2005  Marlborough Gallery, New York, NY. "Landscapes and Cityscapes"
           Royal Academy, London, England. “The 237th Summer Exhibition, 2005”
           Spanierman Gallery, East Hampton, NY. “Artists and Nature on Eastern Long Island: 1940s to the Present””
           Yoshiaki Inoue Gallery, Osaka, Japan. "Contemporary Woodblock Prints"
           Cleveland Museum of Contemporary Art, Cleveland, OH. "Drawn to Cleveland"
2004  Lehman College Art Gallery, Bronx, NY, "Images of Time and Place: Contemporary Views of Landscape"
           Guild Hall Museum, Southampton, NY. "A Celebration of the Arts Lifetime Achievement Honorees in the Visual Arts"
Parrish Art Museum, Southampton, NY. "North Fork/South Fork"
           Guild Hall Museum, Southampton, NY. "Art from the Paris Review"
           Palmer Museum of Art at Pennsylvania State University, University Park, PA. “Graphic Masters: Highlights from the Smithsonian American Art Museum”
           Hunter Museum of American Art, Chattanooga, TN. “Graphic Masters: Highlights from the Smithsonian American Art Museum”
           Frances Lehman Loeb Art Center, Poughkeepsie, NY. “Graphic Masters: Highlights from the Smithsonian American Art Museum”
           Plains Art Museum, Fargo, ND. “Graphic Masters: Highlights from the Smithsonian American Art Museum”
           Haines Gallery, San Francisco, CA. “temporalscape”
2003  Heckscher Museum of Art, Huntington, NY, “Graphic Masters: Highlights from the Smithsonian American Art Museum”
2002  Elizabeth Harris Gallery, New York, NY, "Curious Terrain"
           Danese Gallery, New York, NY, "Northern Light"
           Sears-Peyton Gallery, New York, NY, "Darkness and Brightness"
2001  Michael Kohn Gallery, Los Angeles, CA, "Inaugural Exhibition"
           Bellagio Gallery, Los Vegas, NV, "The Private Collection of Steve Martin"
           Parrish Art Museum, Southampton, NY, "Follies"
           Kagan Martos Gallery, New York, NY, "peaks"
           Steven Scott Gallery, Baltimore, MD. "Stormy Weather"
2000  Barbara Gladstone Gallery, New York, NY, "Drawings 2000"
           Winston Wachter Mayer Fine Art, New York, NY, "Art of the 80s"
           Winston Wachter Fine Art, Seattle WA, "Group Landscape Exhibition"
           Residence of the American Ambassador of The Slovak Republic, Bratislava, The Slovak Republic, "Works on Paper 2000"
           Harn Museum of Art, Gainesville, FL, "The Perpetual Well: Contemporary Art from the Collection of the Jewish Museum"
           Mobile Museum of Art, Mobile AL. "water: A Contemporary American View", travelling to:
           Leigh Yawkey Woodson Art Museum, Wausau, WI
1999  Gibbes Museum of Art, Charleston SC. "water: A Contemporary American View"
           Crown Point Press Gallery, San Francisco, CA. "Why Draw a Landscape?"
           Karen McCready Gallery, New York, NY. "Why Draw a Landscape?"
           Steven Scott Gallery, Baltimore, MD. "A Place in the Sun"
           Atlanta College of Art Gallery, Atlanta, GA. "As Far as the Eye Can See"
1998  Turner & Runyon Gallery, Dallas, TX. "Encyclopedia"
           Parrish Art Museum, Southampton, NY. "Gifts for a New Century"
           Herter Art Gallery, Amherst, MA. "After Nature"
           Crown Point Press Gallery, San Francisco, CA. "New Releases: April Gornik, Tom Marioni, Pat Steir"
           Karen McCready Fine Art, NY, NY. "Cityscape/Landscape"
           Elizabeth Mayer Fine Art, NY, NY. "80s Artists Then and Now"
           Guild Hall Museum, East Hampton, NY. "Selections from the Collection: Guild Hall Museum"
           The Cleveland Museum of Art, Cleveland, OH, "Cleveland Collects"
           Plattsburgh Art Museum, Plattsburgh, NY. "The Joe Wilfer Show: Collaborations in Paper and Printmaking"
           The Parrish Art Museum, Southampton, NY. "The Centennial Open"
           Southeast Center for Contemporary Art, Winston-Salem, NC. "Divining Nature"
           Paul Kuhn Gallery, Calgary, Alberta, Canada. "Prints by Painters"
           Dorfman Projects, New York, NY. "The Portraits Speak: Chuck Close in Conversation with 27 of his subjects"
           Winston Wächter Fine Art, New York, NY. "Movements of Grace: Spirit in the American Landscape"
           Meyerson & Nowinsky, Seattle, WA. "Landscapes"
1997  Center for Curatorial Studies Museum, Bard College, Annandale, NY. "In Plain Sight"
           Turner and Runyon Gallery, Dallas, TX. "A Reversal of Scale"
           Emily Fisher Landau Center, Long Island City, NY. "Woodwork"
           Hammond Gallery, Lancaster, OH. "Eight From Ohio: In and Out of Bounds"
1996  Samuel P. Harn Museum of Art, Gainesville, FL. "Destiny Manifest: American Landscape Paintings in the Nineties"
           Freedman Gallery, Albright College Center for the Arts, Reading PA."20/20: The Visionary Legacy of Doris Chanin Freedman"
           James Graham & Sons, New York, NY. "water"
           Fine Arts Gallery at Southampton College, Southampton, NY. "Master Workshop Exhibition" 
1995  Arnot Art Museum, Elmira, NY. "Re-Presenting Representation II"
           Mary Ryan Gallery, New York, NY. "Elementum"
           California Center For the Arts Museum, Escondido, CA. "Revisiting Landscape"
           Galerie de la Tour, Amsterdam, The Netherlands. "100 Personal Heroes Part 2"
           Florida International University, Miami, FL. "American Art Today: Night Paintings"
1994  Neuberger Museum of Art, Purchase, NY. "Inspired by Nature"
           Feigen Inc., Chicago, IL. "Changing Views"
           Aldrich Museum, Ridgefield, CT. "Timely and Timeless"
           Gallery Camino Real, Boca Raton, FL. "Landscape Not Landscape"
           Aspen Art Museum, Aspen, CO. "Mountains of the Mind: American Mountain Landscape Painting from 1850 to the Present"
1993  The Morristown Museum, Morristown, NJ. "Living With Art: The Collection of Ellyn and Saul Dennison"
           Cleveland Center for Contemporary Art, Cleveland, OH. "25 Years"
           Whitney Museum,, Fitchburg, CT. "Landscape as Metaphor"
1992  The Aldrich Museum of Contemporary Art, Ridgefield, CT. "Four Friends", travelled to::
           Rayburn Foundation, New York, NY
           Ringling Museum, Sarasota, FL
           Oklahoma Museum of Art, Oklahoma City, OK
           Transamerica Pyramid Lobby, San Francisco, CA. "Selective Vision"
1991  The Parrish Art Museum, Southampton, NY. "Romance and Irony in Recent American Art"
           The National Museum of Women ,Washington, DC. "Presswork: Art of Women Printmakers"
           Mary Ryan Gallery, New York, NY. "Landscapes"
           Annina Nosei Gallery, New York, NY. "Landscape Painting"
1990  Museum of Art, Rhode Island School of Design, Providence, RI. "Terra Incognita"
           Residence of the Ambassador, Mexico City, Mexico, Mexico City, Mexico. "Contemporary American Artists"
           Whitney Downtown at Federal Reserve Plaza, NY and Fairfield County, CT. "The (Un)Making of Nature"
           The Art Gallery of Western Australia, Perth, Australia. "Romance & Irony in Recent American Art"
           Virginia Museum of Fine Arts, Richmond, VA. "Harmony & Discord: American Landscape Today"
           Chicago Public Library Cultural Center, Chicago, IL. "Didier Nolet: Dreams of a Man Awake"
1989  Modern Art Museum of Fort Worth, TX. "10 + 10: Contemporary Soviet & American Painters," travelled to:
           San Francisco Museum of Modern Art, San Francisco, CA
           Albright Knox Art Gallery, Buffalo, NY
           Milwaukee Art Museum, Milwaukee, WI
           The Corcoran Gallery of Art, Washington DC
           Artist's Union Hall of the Tretyakov Embankment, Moscow, USSR
           Central Artists' Hall, Tbilisi, Georgian Soviet Socialist Republic
           Central Exhibition Hall, Leningrad, USSR
           The Whitney Museum of American Art, New York, NY. "1989 Biennial Exhibition"
           The Parrish Art Museum, Southampton, NY. "Painting Horizons: Jane Freilicher, Albert York, April Gornik"
           Daniel Weinberg Gallery, Los Angeles, CA. "A Decade of Drawings: 1980-1989"
           The Dayton Art Institute, Dayton, OH. "A Certain Slant of Light: The Contemporary American Landscape"
           National Gallery of Art, Washington, DC. "The 1980s: Prints from the Collecton of Joshua P. Smith"
           The Whitney Museum of American Art at the Equitable Center, New York, NY. "Nocturnal Visions in Contemporary Painting"
           The Montclair Art Museum, Montclair, NJ. "Art of the '80s from the Chemical Bank Collection"
           The Art Museum at Florida International University, Miami, FL. "American Art Today: Contemporary Landscape"
1988  Museum of Art, Rhode Island School of Design, RI. "Art for Your Collection"
           The Parrish Art Museum, Southampton, NY. "Drawing on the East End, 1940-1988"
           Marlborough Gallery, New York, NY. "Changing Perspectives in Contemporary Representations"
           National Academy of Design, New York, NY. "Realism Today: American Drawings from the Rita Rich Collection", travelled to:
           Smith College, Northampton, MA
           The Arkansas Arts Center, Little Rock, AK
           The Butler Institute of American Art, Youngstown, OH
1987  Hood Museum, Dartmouth College, Hanover, NH. "Art of the Twentieth Century"
           The Whitney Museum of American Art, Stamford, CT. "The New Romantic Landscape"
           Wellesley College Museum, Wellesley, MA. "1976-1986: Selections from the Edward R. Downe, Jr. Collection"
           The Rockwell Museum, Corning, NY. "Boundless Realism: Contemporary Landscape Painting in the West"
1986  Phoenix Art Museum, Phoenix, AZ. "New Narrative Painting: Selections from The Metropolitan Museum of Art"
           Aldrich Museum of Contemporary Art, Ridgefield, CT. "A Contemporary View of Nature"
           Weatherspoon Art Gallery, The University of North Carolina at Greensboro, NC. "Art on Paper"
           Corcoran Gallery of Art, Washington, DC. "Spectrum, Natural Settings"
           Michael Kohn Gallery, Los Angeles, CA. "Still Life/Life Still"
           Brooklyn Museum, Brooklyn, NY. 24th National Print Exhibition, "Public and Private: American Prints Today"
           Lehman College Art Gallery, Bronx, NY. "Landscape in the Age of Anxiety"
1985  The Aspen Art Museum, Aspen, CO. "American Painting 1975-1985: Selections from the Collection of Aron and Phyllis Katz"
           The Taft Museum, Cincinnati, OH. "Night Lights"
           Institute of Contemporary Art, Boston, MA. "Currents"
           The Henry Art Gallery, Seattle, WA. "Sources of Light"
1984  American Pavillion, Venice Biennale, Venice, Italy. travelled to:
           Lisbon, Portugal
           Madrid, Spain
           Athens, Greece
           Belgrade, Yugoslavia
           Budapest, Hungary
           Sidney Janis Gallery, New York, NY. "A Celebration of American Women Artists, Part II: The Recent Generation"
           Holly Solomon, New York, NY. "The Innovative Landscape"
           Archer M. Huntington Art Gallery, The University of Texas at Austin, TX. "A Tribute To James and Mari Michener"

BIBLIOGRAPHY: BOOKS AND CATALOGUES
Acker, Kathy and Ronell, Avital. Time Capsule: A Concise Encyclopedia by Women Artists. New York: Creative Time & SOS International, 1995.
Albee, Edward, and Ash, Lorinda. Works on Paper 2000. Exh. cat. Bratislava, The Slovak Republic, 2000.
Armstrong, Richard, and Hanhardt, John G, and Marshall, Richard, and Phillips, Lisa. 1989 Biennial Exhibition. Exh. cat. New York: Whitney Museum of American Art, 1989.
Arthur, John. Green Woods and Crystal Waters: The American Landscape Tradition. Exh. cat. Tulsa, O.K.: The Philbrook Museum of Art, 1999.
Baur, John I.H. Realism Today: American Drawings from the Rita Rich Collection. Exh. cat. New York, N.Y.: The National Academy of Design, 1987.
_____, Bluer. Exh. cat. Chicago: Carrie Secrist Gallery, 2000.
Broun, Elizabeth, and Kloss, William. National Museum of American Art. New York: Little, Brown and Co, 1995
Brown, J Carter, Gift To the Nation. Washington, D.C.: Friends of Art and Preservation in Embassies, 2001.
Brown, Kathan and Kushner, Robert. Contemporary Woodblock Prints, Print by Tadashi Toda. Exh cat. Osaka, Japan: Yoshiaki Inoue Gallery, 2005. 
Brown, Kathan. ink, paper, metal, wood: Painters and Sculptors at Crown Point Press. San Francisco: Chronicle Books, 1996.
Brown, Kathan. Why Draw a Landscape? San Francisco: Crown Point Press, 1999
_____, A Celebration of American Women Artists–Part II: The Recent Generation. Exh. cat. New York: Sidney Janis Gallery, 1984
Charlotte, Susan. Creativity: Conversations With 28 Who Excel. New York: Momentum Books, 1993.
Colacello, Bob, and Becker, Jonathan. Studios By the Sea: Artists of Long Island's East End. New York: Harry N Abrams, 2002.
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Fig, Joe. Inside the Painter’s Studio. New York: Princeton Architectural Press, 2009.
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Einspruch, Julia and Molesworth, Helen. The (Un)Making of Nature. Exh. cat. New York: Whitney Museum of American Art, 1990.
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Maxwell, Douglas. Timely and Timeless. Exh. cat. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1994.
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_______. "The Print Club of New York: Seventeen Years of Commissioned Prints." 
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Silberstein-Storfer, Muriel, with Mablen Jones. Doing Art Together. New York: Harry N Abrams, 1997.
Silverman, Lanny. didier nolet–dreams of a man awake. Exh. Cat. Chicago: The Chicago Public Library Cultural Center, 1991.
Simms, Patterson and Stroh, Susan. 1976–1986: Ten Years of Collecting Contemporary American Art–Selections from the Edward Downe, Jr. Collection.. Exh. cat. Wellesley, Mass.: Wellesley College Museum, 1986.
Straka, Barbara. April Gornik, Bilder + Pastelle. Exh. cat. Berlin, W. Germany: Galerie Springer Berlin, 1985.
Strassfield, Christina Mossaides and Korn, Henry. April Gornik. Exh. cat. East Hampton, N.Y.: Guild Hall Museum, 1994.
Sussler, Betsy. speak art! the best of BOMB magazine's interviews with artists. New York: G+B Arts International, 1997.
Talalay, Marjorie. Cleveland Revisited. Exh. cat. Cleveland: The New Gallery of Contemporary Art, 1984.
Talbott, Susan Lubowsky. Divining Nature. Exh. cat. Winston-Salem: Southeastern Center for Contemporary Art, 1998.
Tanaka, Hiroko. Art Is Beautiful; Interviews with 25 New York Artists. Tokyo: Kawade Shobo Shinsha, 1990.
Vine, Naomi and Hales, Peter Bacon. A Certain Slant of Light: the Contemporary American Landscape. Exh. cat. Dayton: Dayton Art Institute, 1989.
Vonnegut, Kurt. Waterscapes, Landscapes. Exh. cat. New York: Glenn Horowitz Booksellers, 1999.
Walker, Barry. Public and Private: American Prints Today–the 24th National Print Exhibition. Exh. cat. Brooklyn: Brooklyn Museum, 1986.
Walker, Barry. Echo Press: A Decade of Printmaking. Exh. cat. Bloomington: Indiana University Art Museum, 1990.
West, Harvey. Sources of Light: Contemporary American Luminism. Exh. cat. Seattle: Henry Art Gallery, 1985. 
Wheeler, Susan. April Gornik, Paintings and Drawings. Exh. cat. New York: Edward Thorp Gallery, 2000.
Yau, John. A Contemporary View of Nature. Exh cat. Ridgefield, Conn.: Alrdich Museum of Contemporary Art, 1986.
York, Emily. Magical Secrets About Aquatint. San Francisco: Crown Point Press, 2008
Young, Dede and Maxwell, Douglas. Destiny Manifest: American Landscape Painting in the Nineties. Exh. cat. Gainesville, Flor.: Harn Museum of Art, 1996.
Youngs, Christopher. 20/20: The Visionary Legacy of Doris Chanin Freedman. Exh. cat. Reading, Penn.: Freedman Gallery Albright College, 1996.
Yount, Sylvia. Embodied Landscapes. Exh. cat. Philadelphia: Rosenwald-Wolf Gallery and the Museum of American Art of the Pennsylvania Academy of the Fine Arts, 1998

ARTICLES AND REVIEWS
Altabe, Joan. “Beautiful Dreamers.” Sarasota Herald Tribune, Sept. 17, 1993, p. 1.
Altabe, Joan. “Ringling show quadruples your pleasure.” Sarasota Herald Tribune, Sept. 12, 1993, sec. G, p. 1.
_____, “Gallery: April Gornik.” Art Express (Fall 1982): pp. 50-51.
Artner, Alan G. “Fantasies feed romance of Night Lights.” Chicago Tribune, December 7, 1984, sec. 7, p. 11.
_____, “10 + 10.” American Way: American Airlines Magazine, May 1, 1989, pp. 96-104.
Artner, Alan G. “Fantasies feed romance of ‘Night Lights’.” Chicago Tribune, Dec. 7, 1984, sec. 7, p. 11.
_____, “Venice: A Funny Thing Happened on the Way to the Biennale.” Art and Auction (June 1984): 73-4.
_____, “Gallery View.” Art Express, (February, 1982) pp. 50-1.
_____, “Gallery: April Gornik.” Art Express (January, 1981): 51.
_____, “Romance and Irony.” Arts Review, June 11-July 8, 1991.
Ezersky, Lorinda Ash. “April Gornik: A Master of Light and Landscape.” Avenue 28, no. 11 (November, 2004): 20.
Balfour, Brad. “April in the Hamptons.” New York Resident 16, no. 2 (June 30, 2003): 34.
Barreneche, Raul A. "Of No Use but Delight". New York Times, May 17, 2001, LI sec.
Barrie, Lita. “US artists twist nostalgic convention.” NBR Weekend Review, New Zealand, Dec. 1, 1990, sec. W, p. 9.
Becker, Robert. "Art: Creative Coupling." Interview (October 1982) 80-5.
Becker, Robert. "April Gornik." Artforum (March 2020).
Berlind, Robert. “April Gornik.” Art in America no. 7 (September 1981): 157.
Berman, Ann. "Power of the City/Women in the Hamptons." New York Woman, August 1989, pp. 32-4.
Blau, Douglas. "April Gornik at Edward Thorp Gallery." Art in America no. 8 (September1983): 167.
_____, “Some Promising First Appearances.” Art in America Annual (1982): 9.
Boettger, Suzaan. "Nocturnal Visions." Contemporanea II, no. 7 (October 1989): 95.
Bourdon, David. "On View," House & Garden (August 1987): 44.
Braff, Phyllis. "Collective Spaces, but Individual Visions: April Gornik". New York Times, August 22, 1999, LI sec, p. 10.
Braff, Phyllis. "APhotographic Return to People and Places," New York Times, April 5, 1998, LI sec., p. 24.
Braff, Phyllis. "The Works of Art That Inspire the Artist." The New York Times, November 15, 1998, p. 37.
Braff, Phillis, “Casting a Spell, From Lasers and Video to Light and Shadows.” New York Times, October 22, 1995, sec. C, p. 24.
Braff, Phyllis. “Meaning and Context Are Unimportant Except in Landscapes.” New York Times, August 28, 1994, LI sec., p. 18.
Braff, Phyllis. “Exhibition Is Window On Society.” New York Times, July 28, 1991, LI sec., p. 1.
Braff, Phyllis. "Landscape Themes Clarified." The New York Times, August 13, 1989, LI sec., p.18.
Braff, Phyllis. "Drawing Lines: East End Anthology." The New York Times, November 6, 1988, LI sec., p. 6.
Braff, Phyllis. "Private Pieces on Public View." The New York Times, November 29, 1987, LI sec., p. 38
Braff, Phyllis. “Faculty Show: Range of Ideas.” The New York Times, September 6, 1987, p. 14.
Brandenberg, John. “’Four Friends’ Inhabit Abstract World.” Daily Oklahoman, April 8, 1994.
_____, “Mother Nature.” The New Yorker, November 16, 1992, p. 17.
–––––, “Curious Terrain.” New York Times, January 25, 2002, p. 
_____, “Newscapes–Land and City/States of Mind.” New York Times, February, 1984. 
Brenson, Michael. “April Gornik.” The New York Times, October 23, 1987, sec. C, p. 34.
Brenson, Michael. "Are the Whitney Satellites Out of Orbit?" The New York Times, August 9, 1987, sec. H, pp. 31-2.
Brenson, Michael. “April Gornik.” The New York Times, April 18, 1986, sec. C, p. 28.
Brown, Gerard. "Beauty and Brains." Philadelphia Weekly, February 4, 1998, p. 50.
Brown, Kathan. “April Gornik: A Spiritual Approach.” Overview (November 1998): 1-2.
Byrd, Cathy. "Land, lots of land." Atlanta Creative Loafing 27, no. 39, (February 13, 1999): 1.
Cameron, Dan. "Opening Salvos, Part One." Arts Magazine (December 1987): 89-93.
_____, “’Four Friends’ Exhibit To Open.” Capitol Hill Beacon, March 31, 1994.
Cecil, Sarah. "April Gornik." ARTnews 84, no. 3 (March 1985): 96.
Cohrs, Timothy. "Hudson River Editions, Pelavin Editions-- A Report Back from the Other-World of Printmaking." Arts (November 1986): 41.
Costello, Kevin. “Four Friends,” Sarasota Arts Review, November 1993, p. 1.
Cotter, Holland. “A Bland Biennial”, Art in America no. 9 (September 1989): 81.
Cullinan, Helen. "Landscape given new meaning." The Cleveland Plain Dealer, January 17, 1987, sec. A, p. 2.
Cullinan, Helen. “Creativity is alive, well in new home.” Cleveland Plain Dealer, Feb. 1984
Cummings, Mary. "Thoughtful Questions On the Nature of Gifts." Southampton Press, 19 November, 1998, p. 20.
Cummings, Mary. “Designing Devices for a Timeless Weather Puzzle.” Southampton Press, August 29, 1991, p. 19.
Delatiner, Barbara. "The Spotlight Shines on Drawings."The New York Times, September 11, 1988, 
Delio, Michelle. "Moving Pictures: Ancient tradition meets portable technology in the world of art." Portable Computing Direct Shopper 1, no. 12 (January 1998): 82-93.
_____, “A Look at the Natural and Unnatural.” Denver Post, March 14, 1982, sec. R, p. 11.
Diamond, Jared, “The Riddle of the Ancient Mariners.” The Sciences, May–June 1985, p. 42-43.
Diehl, Carol. "Double or Nothing." Arts & Antiques (February 1987): 73-81.
Dodero, Tony. “Landscape artist opens program at art museum.” Daily Forty-Niner, Oct. 13, 1988, p.7.
Edelman, Robert G. "Le Paysage dans la Peinture." ArtPress (March 1991): 22-29.
Enright, Robert. "The Pleasure of Their Company: Steve Martin, April Gornik and Eric Fischl in Conversation with Robert Enright." Border Crossings 19 no. 3 (August 2000): 26-46.
Enright, Robert. "The Seductions of Landscape: A Conversation with AprilGornik", Border Crossings 16, no. 3 (Summer 1997): 18-29.
Enright, Robert. Interview, Border Crossings 12 no. 1 (Winter 1993): 29-32.
Ernst, Eric. "Superstars, Nascent Stars at Parrish". The Southampton Press, July 1, 2004, Sec. 2, p. 4.
Ernst, Eric. "The Best, Not Just the Brightest". The Southampton Press, July 29, 2004, Sec. 2, p. 5.
_____, “Art in Paradise” Avenue 28, no. 7 (July, 2004): 13-14.
Ezersky, Lorinda Ash. “April Gornik: A Master of Light and Landscape” Avenue 28, no. 11 (November, 2004): 20.
_____, “Eye on Nature.” The Scarsdale Inquirer, November 4, 1994, Arts sec. p. 17.
Flam, Jack. "...And Looking Like Provincials." The Wall Street Journal, June 12, 1990, sec. A, p. 16.
Ferris, Mark. "Lesser Lights Shine." Newsday, 27 November, 1998, Arts sec., p. 1.
Fisher, Jean. "April Gornik." Artforum XXIII, no. 7 (March 1985):144-5.
_____, “‘Four Friends’ Exhibit to Open.” Capital Hill Beacon, Mar. 31, 1994, 
Fox, Marilyn, J. "Freedman's First 10 Years, Anniversary of Art Gallery Celebrated." Reading Eagle, November 23, 1986, sec. D, p. 6.
Freeth, Samuel J. “Incident at Lake Nyos.” The Sciences, May–June, 1992, pp. 30-6.
_____, “‘Friends Unite for Art Show.” Daily Oklahoman, April 1, 1994, p. 
Gall, Sally and Gornik, April. “Interview.”Bomb 40 (Summer 1993): .
_____, “An American Landscape.” Bomb 6 (Winter 1985): 40.
Gambino, Erica-Lynn. "A Thank-You Show at Parrish." The Southampton Press, December 17, 1998, sec. B, p. 1-2.
Garcia, Erin. "Temporalscape". Camerawork 31 No. 2 (October 2004): 55.
Genocchio, Benjamin. "With a Tranquil Air, a Respite From Fast-Paced Lives." The New York Times, November 8, 2009, Sec. ARTS LI, p 13.
Genocchio, Benjamin. "Nature in an Untouched State, Before Suburbia Called." The New York Times, February 18, 2007, Sec. LI, p. 12.
Genocchio, Benjamin. "As Fall Beckons, Women Rule." The New York Times, September 5, 2004, Sec. WE, p. 11.
Genocchio, Benjamin. "Landscapes Where the Sky is the Limit." The New York Times, September 19, 2004, Sec. 14WC, p. 8.
Giachetti, Romano. “Accademia d’Avanguardia”, Arte 261 (1989): 116.
Gilbert, Andrea. "Pilgrim's Progress: A Journey to Long Island's South Fork." ARTI Art Today 17 (November-December 1993): 144-165.
Gilmore, Jonathan. “April Gornik: The Nature of Painting.” Art in America no. 9 (October, 2005): 152-155.
Glueck, Grace. "In Artists' Prints, Work and Play", New York Times, November 5, 1999, p. 
Glueck, Grace. "The New Romantics Paint the Past." New York Times, September 10, 1989, Magazine sec., p. 44.
Glueck, Grace, “April Gornik.” New York Times, November 23, 1984, sec. C, p. 20.
Goodman, Jonathan. "April Gornik at Edward Thorp." Art in America no. 2 (February 1997): 105.
Gornik, April. "Rooms in the View." Arts & Antiques (Summer 1988): 72-7.
Gottlieb, Shirle. “‘April in Long Beach.” Seabreeze, October 12, 1988, p. 10.
Gouveia, Georgette. “The relationship between nature, art is explored.” Gannett Suburban Newspapers, October 24, 1994.
Gouveia, Georgette. "Enchanted April." The Journal News, September 3, 2004, Sec. E, pp. 1-2.
Grimes, Nancy. "April Gornik." ARTnews 100, no. 11 (November 2000): 208.
Grimes, Nancy. "Whitney Biennial." Tema Celeste (July-September 1989): 65-68.
Grimes, Nancy. "April Gornik." ARTnews 87, no. 1 (January 1988) 153-4.
Halley, Mary. “A Window Into Life’s Realities.” Oklahoma Gazette, March 24, 1994, pp. 1-5.
Hansell, Freya. "Three Painters: Susan Rothenberg, April Gornik, Freya Hansell." Bomb 15 (Spring 1988): 18-23.
Harrison, Helen A. “Multiple Originals on Paper.” The New York Times, Long Island sec., June 25, 1989, p. 20.
Halley, Mary. “A Window Into Life’s Realities.” Oklahoma Gazette, March 24, 1994, p. 2. 
Harrison, Helen A. "Seeing Double: Artworks That Reflect a Relationship" The New York Times. April 23, 2006, Sec. 14, p. 10.
Hayes, Erin. "Parrish Museum: North and South Forks Art Show" Hampton Jitney Magazine 5 (June 2004): 12-13.
Hay, R. Couri. “High Society.” Hamptons, June 21, 1991, p. 40
Heartney, Eleanor. "April Gornik's Stormy Weather." ARTnews 88, no. 5 (May 1989): 120 -5.
Heartney, Eleanor. “Transforming the Landscape: April Gornic.” Bijutsu Techo 41, no. 617 (December 1989): 30-45.
Hess, Elizabeth. "Gornik's Imaginary Landscapes." The New York Observer, November 2, 1987, p. 17.
Hinson, Tom. “Cleveland Collects Contemporary Art.” The Cleveland Museum of Art Members Magazine, November 1998, p. 4-6.
Hoban, Phoebe. “Artists on the Beach.” New York Magazine, July 1, 1991, pp. 37-44.
Howard, Christopher. "April Gornik: Paintings and Drawings". The Brooklyn Rail, January, 2005, p. 17.
Howe, Katherine. "April Gornik at Edward Thorp Gallery." Images and Issues, (November–December, 1983): 58-9.
Isler, Tom. "Updating the Art of Landscapes". The Southampton Press, July 1, 2004, Sec. 2, p. 3.
Israel, Nico. "this side of paradise." Vogue (June 2004) pp. 142-4
Johnson, Ken. “Art in Review: April Gornik.” New York Times, October 6, 2000, sec. E, p. 38.
Johnson, Ken. "The Hamptons, A Playground For Creativity". New York Times, August 6, 2004, Sec. E, p.29.
_____, “Inspired by Nature.” Journal of the Print World, 17 no. 4 (Fall 1994), p. 30.
_____, "April Gornik Acquisition, National Museum of American Art." Journal of the Print World 14, no. 2 (Spring 1991): p. 5. 
_____, “Romance and Irony in Recent American Art.” Journal of the Print World 14, no. 3 (Summer 1991): 47.
Kalina, Richard. "Painting Horizons." Arts (November 1989): 92.
Kandel, Susan, “Gornik’s Work.” Los Angeles Times, Sept. 3, 1993.
_____, “A nice pair.” Kansas City Star, March 27, 1994. 
Katz, Vincent. “April Gornik.” ARTnews 93, no. 11 (November 1994): 155.
Kazajian, Dodie. "Fast Forward." House & Garden, (February 1988): 76.
Keiser, Ellen, “April Gornik.” Country, August 18, 1995, p. 65.
_____, “A Nice Pair.” The Kansas City Star, March 27, 1994, p.
Kernan, Micheal. "A New Generation of Artists Ponder Nature's Prospects.” Smithsonian 21, no. 1 (April 1990): 104-111.
Kimmelman, Michael. “April Gornik.” New York Times, May 4, 1990, sec. C, p.
Kimmelman, Michael. "Art: 'Realism Today' at National Academy." New York Times, January 8, 1988, sec. C, p. 27.
Kimmelman, Michael. "Glasnost on Canvas: A Showing of Soviet and American Works." New York Times, May 16, 1989, sec. C, p. 15.
Kimmelman, Michael. "Nocturnal Visions in Contemporary Painting." The New York Times, April 28,1989, sec. C, p. 30.
Kohen, Helen L. "Landscape Show Rich in Tradition." Miami Herald, January 15, 1989, sec. K, p. 5.
Kohn, Michael. "April Gornik." Flash Art (April–May 1985): 39.
Kohn, Michael. "Gornik." New York Times, December 12, 1985, p. 47.
Kohn, Michael. “Gornik, Schuyff.” NY Talk, December 1994, p. 47.
Kramer, Hilton. "An Antidote to the Postmodern Blues: 'Realism Today' at the National Academy." The New York Observer, December 28, 1987, p. 
Kutner, Janet. "Dallas: April Gornik at Turner & Runyon." ARTnews 97, no. 1 (January 1998): 140.
Kutner, Janet. "April Gornik at Turner and Runyon Gallery." Dallas Morning News, October 25, 1997, sec. C, p.12.
Kutner, Janet. "Spiritual mystique permeates artist's landscapes." Dallas Morning News, October 10, 1997, p. 46.
Kutner, Janet. “Preview: Turner and Runyon Reopens in Deep Ellum.” Dallas Morning News, December 13, 1996. 
Landey, Jenny. “April Showers.” Hamptons, September 1, 1989, p. 39.
Landi, Ann. "April Gornik." ARTnews 101, no. 2 (February 2002): 126.
Landi, Ann. “Site Specifics.” ARTnews 96, no. 4 (April 1997): 117.
Larson, Kay. “The Children’s Hour.” New York Magazine, May 8, 1989, p. 94-5.
_____, “April Gornik, Man Ray, The Chicano Codices.” LA Weekly, September 24, 1993, p. 
Lawson, Thomas. “April Gornik.” Artforum IXX, no. 10 (Summer 1981): 91.
Lawyer, Shauna. “’Four Friends’ Exhibit Opens.” Black Chronicle, March 24, 1994.
Leigh, Candace. “Honoring the Artists of the Hamptons: April Gornik.” Dan’s Papers, September 1, 1989, p. 36.
Lettingwell, Edward. "April Gornik at Danese." Art in America no. 4 (April 2002): 147-8.
Levin, Kim. “back to the landscape,” Mirabella 33 (February 1992): 32-4.
Levin, Kim. "April Gornik." Village Voice, November 10, 1987, p. 48.
Levkova-Lamm, Innesa. "10 + 10." Contemporanea II, no. 8 (November 1989): 86.
Levy, Mark. "American Sublime, Soviet Subversiveness." Art International (Spring 1990): 96-7.
Lewallen, Constance. “View: April Gornik.” Crown Point Press, Fall 1988, p. 24.
Lipson, Karin. “Modern Romantic Vision.” Newsday, June 28, 1991, p. 
Lipson, Karen. "East End Drawings: With Bounds, Diversity." Newsday, October 7, 1988, p. 12.
Litt, Steven. "Finding Limelight Out of Town." Cleveland Plain Dealer, August 1, 1997, sec. E, p.1.
Litt, Steven, “Once in a lifetime smorgasbord of art in New York City.” Cleveland Plain Dealer, Nov. 8, 1992, sec. H, p. 4.
Litt, Steven. "The big picture." Cleveland Plain Dealer. March 19, 2006, Arts Sec., pp. 1–3.
Long, Robert. "Heavy Hitters At Guild Hall". East Hampton Star, July 1, 2004, Sec. C, pp. 1,6.
Long, Robert. "North Fork, South Fork". The East Hampton Star, June 3, 2004, Sec. C, p. 2-3.
Long, Robert. “Visions From Down Under.” Southampton Press, July 4, 1991, p. 2.
Long, Robert. "Parish Exhibit Explores Variety of Perspectives." Southampton Press, August 17, 1989, sec. B, p. 1.
Long, Robert. "East End Drawing Exhibition at Parrish." Southampton Press, October 13, 1988, p. 
Long, Robert. “Faculty Art Is Shown.” Southampton Press, September 3, 1987
Loper, David E. “Scorched Earth.” The Sciences (September–October 1990): 24.
Loughery, John. "Landscape Painting in the Eighties: April Gornik, Ellen Phelan, and Joan Nelson." Arts Magazine 62, no. 9 (May 1988): 44-8.
Loughery, John. "The New Romantic Landscape." Arts Magazine 62, no. 3 (November1987): 107.
Lyotard, Jean-Francois. "The Sublime and Avante-Garde." Artforum XXII, no. 8 (April 1984): 39.
Mahoney, Robert. “April Gornik.” Arts (September 1990): 101.
Mann, Kenny. "Seeing But Not Looking." House in the Hamptons International (March–April 1990): 24.
McGill, Douglas. "Landscapes in Repose." New York Times, November 13, 1987, sec. C, p. 36.
McGuigan, Cathleen. "Transforming the Landscape." Newsweek, December 26, 1988, pp. 60-2.
McKenna, Kristine. "The Allure of the Dark Side." Los Angeles Times, May 20, 1990, p. 3.
McQuaid, Cate. "Charged visuals, dark themes, animated ideas." Boston Globe, February 18, 2011, online edition.
Merkling, Frank. “Aldrich: new look for a new year.” New-Times, December 28, 1986, sec. F, pp. 2-5.
Middendorf, Frances. “Land Lords,” The Newspaper, February 8, 1990, p. 10.
Newhall, Edith . “April Gornik.” ARTnews 92, no. 1 (January 1993): 129.
_____, “A Group Show Curated for NYTalk by Steven Kaplan.” NY Talk, October 1984, p. 29.
Mullen, Rachel. “Dennisons of Bernardsville lend collection to the Morris Museum.” Out and About, October 28, 1993, p. 1.
Nochlin, Linda. "En Plein Air: Recent Views of the Great Outdoors." Interview (April 1988): 18-23.
Ollman, Leah. "Art Reviews: The Great Drawing Show." Los Angeles Times, October 1, 1999, sec. F, p. 26.
Pardee, Hearne. "The New American Landscape." Arts (April 1984): 116-7.
Parks, Addison. "April Gornik," Arts (Summer1986): 116.
Parks, Addison. Arts (June 1981): 19.
Pemberton, Cade. "Guild Hall: Celebrating the Artist Next Door" Hampton Jitney Magazine 6 (July 2004): 6-9.
Pincus-Witten, Robert. "Entries..." Arts (February 1985): p. 89.
Pipkin, Francis. "Gravity Up in the Air." The Sciences (May-June 1984): 48.
Planca, Elisabetta. “un Paradiso Neoromantico.” Arte 261 (Aprile 1995): 56.
Polsky, Carol. “An Outpouring of Art.” Newsday, March 20, 1998, p. 25.
Pryor, Kelli. "Back to Nature." Avenue 13, no. 7 (February 1989): 128-137.
Raynor, Vivian. "Landscapes That Celebreate Their Makers." New York Times, August 10, 1997, Westchester sec., p.12.
Raynor, Vivien. “The Sublime, the Modern and the Literal in Views of the Land.” The New York Times, November 11, 1994, sec. WC, p. 20.
Raynor, Vivien. “An Optimist’s Eye in Ridgefield.”New York Times, December 5, 1993, sec. CN, p. 30.
Raynor, Vivien, “Art Review.” New York Times, Arts sec., May 31, 1992, p. 20.
Raynor, Vivien. “Views of Nature on Exhibit at Ridgefield’s Expanded Aldrich.” The New York Times, Arts sec., January 11, 1986, p. 30.
Raynor, Vivien. “Lipski’s Building Steam.” New York Times, Fall 1983.
Reno, Nicki. "Side By Side." The Sag Harbor Express, August 12, 2004, Sec. B, pp. 1,7.
Rice, Robin. "The Life Thing." Philadelphia City Paper, February 6, 1998, p. 29.
Rice, Robin. "Best Bets: Art." Philadelphia City Paper, January 16, 1998, p.22.
Rickey, Carrie. "Why Women Don't Express Themselves." The Village Voice, November 2, 1982, p. 1.
Rickey, Carrie. “Up Against the Wall Street: An Investor’s Guide to Galleries.” Village Voice, October 15, 1980, p. 69.
Rosenblum, Robert, “Art: Contemporary Romantic Landscapes.” Architectural Digest (May 1993): 193-230.
Rosenblum, Robert, “A Postscript: Some Recent Neo-Romantic Mutations.” Art Journal (Summer 1993): 79.
Russell, John. "Making Pen and Ink Seem Passé: The Proliferation of New Ways to Draw." The New York Times, August 11, 2000, sec. E, p. 32.
Russo, Alexander. “Master Class Offers Exhibit.” Southampton Press, August 25, 1988, sec. B, p. 1.
Sanders, Scott Russell, “Staying Put.” Orion (Winter 1992): 40.
Sansegundo, Sheridan. "American Art at the Parrish." East Hampton Star, 29 July, sec. III, p. 6.
______, “Eye on Nature.” The Scarsdale Inquirer, November 4, 1994, p. 17.
Schjeldahl, Peter. “The Muses on Strike.” Seven Days, May 17, 1989, pp. 96-105.
Sheets, Hilarie M. “April Gornik.” ArtNews 103, no.1 (January 2004): 138.
Shinoda, Tazmi. "The Landscape of April Gornik: Sensuality of the Anonymous." Mizue no. 953 (Winter 1989): 124-135.
Shinoda, Tazmi. “Best and Worst Artists in the Whitney Biennial.” Bijutsu Techo 41, no. 611 (July 1989): 166-169.
Shuebrook, Ron. “Appearances, N.S.” Vanguard (April 1984): pp. 21-25.
Shulman, Woody. “A Friendly Exhibition.” Bradenton Herald, September 24, 1993, p. 
Sica, Connie. “The Illusory Space of a Landscape.” The Sag Harbor Express, July 27, 1989, Section II, p. 1.
Silverthorne, Jeanne. "April Gornik, Edward Thorp Gallery." Artforum XXII, no. 2 (October 1983): 70.
Slivka, Rose C.S. “From the Studio.” East Hampton Star, August 17, 1995, sec. II, p. 10.
Slivka, Rose C.S. “From the Studio.” East Hampton Star, December 8, 1994, sec. II, p. 8.
Slivka, Rose C.S. “From the Studio.” East Hampton Star, September 8, 1994, sec. II., p. 7.
Slivka, Rose C.S. “From the Studio.” East Hampton Star, June 30, 1994, sec. II, p. 11.
Slivka, Rose C.S. “From the Studio.” East Hampton Star, July 11, 1991, sec. II, p.11.
Slivka, Rose. "From the Studio." East Hampton Star, August 10, 1989, sec. II, p. 7.
Slivka, Rose C.S. "From the Studio." East Hampton Star, October 29, 1988
Smith, Roberta. "Hudson Valley Conversations." New York Times, July 18, 1997, sec. C, p. 26.
Smith, Roberta. “On Long Island, Photos, Portraits, Pollock, and Stereotyping.” The New York Times, August 9, 1991, sec. C, p. 22.
Smith, Roberta. “On Long Island: Vienna, Video and Visions of Nature.” The New York Times, August 4, 1989, sec. C, p. 22.
Smith, Roberta. "Taking a Look or Two Back in the Hamptons." The New York Times, June 16, 1989, sec. C, p. 22.
Smith, Roberta. "The Manor in the Landscape." The New York Times, December 12, 1986, sec. C, p. 26.
Smith, Roberta. "Precise Visions." The Village Voice, June 7, 1983, p. 77.
Solomon Deborah. "Back to Nature." House & Garden (November 1988): 64-68.
Sozanski, Edward. "Elemental landscapes not quite of this world." The Philadelphia Enquirer, January 16, 1998, p. 32.
_____, “Scenic Strokes”, Spotlight, September 1989, p. 18, illus
Staniszewski, Mary Anne. “Gallery Guide.” Manhattan Inc. (November 1984): 107.
Straus, Marc. "Facts and Fancy." Contemporanea II, no. 5 (July–August): 86-9.
Stunda, Hilary. “April Gornik and Pat Steir.” ARTnews, 100, no. 2 (February 2000) 169.
_____, “’Cleveland Revisited’ Show to feature trio’s art works.” Sun Press, January 5, 1984, sec. A, p.9.
Sussler, Betsy. "Editor's Corner." Bomb Magazine. no. 93 (Fall, 2005): p. 14-15. 
Tanaka, Hiroko. "April Gornik." High Fashion (October 1989): 288-9.
_____, “A Look at the Natural and Unnatural.” The Denver Post, March 14, 1982, sec. R, p. 11.
_____, “April Gornik review.” The New Yorker, November 16, 1992, p. 17. 
Tarzan, Deloris. “Artists Trip the Light Fantastic.” The Seattle Times, April 4, 1985, Section G, p. 1-4.
Trebay, Guy. “An Opinionated Survey of the Week’s Events.” The Village Voice, May 31, 1983, p. 68.
Trittoleno, Martine. “La Vie Artiste.” French Vogue (March 1994): 223-6. 
Tuchman, Phyllis. “Interpreting Nature in a SoHo Setting.” Newsday, July 27, 1988, sec. II, p.7.
Van Siclen, Bill. Outlandish Landscapes." Providence Journal-Bulletin, January 19, 1990, section D, p. 1.
Vogt, Jennifer. "April Gornik: Luminist landscapes excite the imagination." The Record-Review, February 4, 2005, p. 17.
von Mueffling, Dini. "April Gornik: The Nature of Things." Hampton Style. September 4, 2006, pp 56–59.
Wallach, Amei. "Landscape on the Horizon." Newsday, August 4, 1989, Weekend section, p. 23.
Watanabe, Nana. “April Gornik.” priv, vol 10, 2003: 84-87.
Watkins, Eileen. “Dennison Collection going on view at Morris Museum.” The Sunday Star Ledger, November 7, 1993, p. 22.
Weil, Rex. "Heaven in Earth.” ARTnews, 97, no. 3 (March 1998): 150-152.
Weinberg, Helen. "Coming Home." Dialogue (March-April 1984): 24-5.
Wolberg Weiss, Marion. "April Gornik at Danese Gallery: Where Exteriors and Interiors Meet." Dan's Papers, December 16, 2005, p. 71.
Weiss, Marion Wolberg. "Lifetime Achievement Honorees At Guild Hall" Dan's Papers, July 23, 2004, p. 74.
Weiss, Marion Wolberg. "East End Art Now at the Parrish" Dan's Papers, May 28, 2004, p. 134.
Weiss, Marion Wolberg. “Art Commentary.” Dan’s Papers, August 27, 1999, p.100.
Weiss, Marion Wolberg. "Art Commentary." Dan's Papers, December 25, 1998, p. 49.
Weiss, Marion Wolberg. "Art Commentary." Dan's Papers, April 17, 1998, p. 40.
Westfall, Stephen. "April Gornik at Edward Thorp," Art in America no. 9 (October 1986): 166-168.
Westfall, Stephen. Review, Arts Magazine (September 1982): 40.
Wilkin, Karen. "At the Galleries." Partisan Review, vol. LVII, no. 3 (1990): 452-3.
Wolberg Weiss, Marion. “Art Commentary.” Dan’s Papers, November 18, 1994, p. 51. 
Wolberg Weiss, Marion. “The Masters IX At Southampton College.” Dan’s Papers, September 5, 1994, p. 143. 
Wolberg Weiss, Marion. “David Salle and April Gornik at Guild Hall.” Dan’s Papers, August 19, 1994, p. 101.
Wolgamott, L. Kent. "Paintings about tension between familiar and unknown" Journal Star, August 28, 2005, Sec. K, p. 1-2.
Wulffen, Thomas. "Positionen amerikanischer Kunst." Kunstforum International Bd. 80, no. 3 (Juli-September 1985): 294.
Yau, John. “April Gornik.” Artforum XXX, no. 1 (September 1990): 153.
Zimmer, William. "Prints by Whistler in Wesleyan Exhibition." The New York Times, October 16, 1983, sec. C, p. 24.

SELECTED WEB SITE LISTINGS
April Gornik Home Page
Art In Context
Crown Point Press
Artist Info
Artlinx
Pace Editions
Varo Registry
World Wide Arts Resources

PUBLIC COLLECTIONS
Allen Memorial Art Museum, Oberlin, OH
Art Gallery of Ontario, Toronto, CANADA
Blanton Museum of Art, Austin, TX 
Boise Art Museum, Boise, ID
Brooklyn Museum of Art, NY
Carolyn Campagna Kleefeld Contemporary Art Museum, Long Beach, CA
Castellani Museum of Art, Niagra, NY
Cincinnati Museum, Cincinnati, OH
City College of New York, New York, NY
Cleveland Museum of Art, Cleveland, OH
Colby College Museum of Art, Waterville, ME
Dallas Museum of Art, Dallas, TX
Dayton Art Institute, Dayton, OH
Douglas S. Cranmer Foundation, Los Angeles, CA
Fine Arts Museums of San Francisco, CA
Fisher Landau Center, Long Island City, NY
Fort Worth Museum, Fort Worth, TX
Fort Wayne Museum of Art, Fort Wayne, IN
Guild Hall Museum, East Hampton, NY
Herbert F. Johnson Museum of Art, Ithaca, NY
Henry Art Gallery, Seattle, WA
Herbert F. Johnson Museum of Art, Ithaca, NY
High Museum of Art, Atlanta, GA
Huntington Museum of Art, Huntington, WV
Jane Voorhees Zimmerli Museum, New Brunswick, NJ
The Jewish Museum, New York City, NY
Mead Art Museum, Amherst, MA
The Metropolitan Museum of Art, NY
Milwaukee Art Museum, Milwaukee, WI
Modern Art Museum of Fort Worth, Fort Worth, TX
Museum of Fine Arts, Houston, TX
Museum of Modern Art, NY
National Museum of Women in the Arts, Washington, D.C.
Neuberger Museum of Art, Purchase, NY
New Jersey State Museum, Trenton, NJ
Neuberger Museum, Purchase, NY
Orlando Museum of Art, Orlando, FL
Parrish Art Museum, Southampton, NY
Raclin Murphy Museum of Art, University of Notre Dame, Notre Dame, IN
Smith College Museum of Art, Northampton, MA
Smithsonian American Art Museum, Washington, D.C.
United States Embassy, Beijing, China
United States Embassy, Moscow, Russia
University Gallery, University of Massachusetts, Amherst, MA
University Art Museum, C.S.U., Long Beach, CA
Weisman Art Museum, Minneapolis, MN
Whitney Museum of American Art, NY
William & Florence Schmidt Art Center, Belleville, IL​​​​
Zimmerli Art Museum, New Brunswick, NJ

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